Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
