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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He later formed the innovative techno group The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away calmly in his rest at his residence in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

At that performance, Ball performed in a wheelchair, as he had for the last two years, after a spate of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and broke my arm."

Following catching a lung infection and suffering from sepsis, he was put in an induced coma and remained in the hospital for seven months.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the new album that we literally finished only a few days ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the knowledge that he listened to the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my life and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is different from joining a group, the connection is very tight," he added.
"That's how it was with us. We experienced so many remarkable, incredible, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family his caregivers, who altered his first name from Paul to David, together with his younger sister his sister, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The duo were an unusual pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they achieved a unique musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing Kraftwerk appear on a television science show a popular series, and began to combine dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, shifting millions of units globally. Together with hits by other artists, Human League and electronic acts, it helped paved the way for the synth-pop sound of the 1980s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were developing new material until just before Ball's death

Professional Journey

Fame had its upsides. "I loved being able to afford my initial property, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also presented problems. "Newfound wealth meant we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."

During the party-filled existence, the pair were also drifting apart, but they managed to produce a second memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

Following a further hiatus, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they stayed together, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He noted that his time in medical care had influenced the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my head from that time.
"In parallel, it's about the times we got up to in the 80s."

The final mixes were completed only a short time before Ball passed away. It is due for launch in Spring 2026.

About the author

Joshua Howard

Filósofa y escritora apasionada por explorar las intersecciones entre la teoría clásica y los desafíos contemporáneos.

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